![]() ![]() ![]() ![]() The Washington Post, Time Lightbox, Gup Magazine, Conscientious Photography, Süddeutsche Zeitung Magazine, Dazed,, Vogue Italy, King Kong Magazine, Fotoroom, Fotografia Magazine, Fototazo, Urbanautica, Photographic Museum of Humanity, The Heavy Collective, Vogue UK, Lens Culture, Gomma, Augenblicke, The Independent Photographer, Don't Take Pictures, Phases Magazine, Marie Claire Italy, Lines Magazine, Dodho Magazine, Emaho Magazine, La Boita Verte, Life Framer, Unless You Will, Bird In Flight, Fotopolis, Wayneford's Posterous, One Giant Arm, Everyday Italy, Monovisions, Mimik Magazine, Dry Magazine, Lamono Magazine, Fotovisura, Deer Brains, Swide, Devora Ran, Artwort, Mutantspace. MISTRAL PARK, MODA, MODENA, MON JERVOIS, MONARCHY APARTMENTS, MONDO MANSION BUILDING. In 2015 I've won the Conscientious Photography Portfolio Competition with my long-term project Farang and later I've been selected by the British Journal of Photography in order to be part of The Talent Issue: Ones to Watch 2016.įinancial Times, L'Espresso, Corriere della Sera, Wired Italy, Gq Italy, Die Welt, Internazionale, La Stampa, Sette, Rolling Stone Italy, D La Repubblica, Le Monde, Flash Art, Tageszeitung, AD, British Journal of Photography, Blow Photo Magazine, Der Grief Magazine, American Chordata, Black+White Photography, Annabelle, Le Mile Magazine, Foto Cult, Archivo Zine, Il Fotografo Magazine, Witty Kiwi Magazine, Maison Francaise, Domus, Dienacht Magazine, Bad to the Bone, Shots Magazine, Diorama Mag, Pizza Magazine, Milano Città Aperta, Chrismon, Zero. DOMAIN 21, DOMUS, DORMER PARK, DORSET MANSIONS, DORSETT RESIDENCES. One alongside renowned photographers such as Roger Ballen, Daido Moryiama, Anders Petersen and Antoine D’agata. Grafik Tasarm Blm, 2013 ve 2017 yllarnda Domus Tasarm Dergisi tarafndan yaplan ve. In 2012, I have been published on the book Mono vol. Bask, Grafik Tasarm, Moda Giyim Tasarm, Moda Tasarm. After a bachelor's degree in industrial design at the Politecnico University of Milan, I have devoted myself completely to photography.Īfter covering Italian news, now I work mainly on personal long-term projects, reportage and editorials. It evokes the eclectic and metaphysical landscapes-often the result of the visionary imagination of Occhiomagico and Studio Alchimia-which inhabited the covers and pages of Domus and Domus moda, the supplement launched by Alessandro Mendini in 1981 to introduce fashion into the debate over the Italian culture of design.I was born in Aosta in 1986. The sophisticated countercultural experiences of dressing design of the 1970s evolved over the following decade into refined and precious objects presented in the pages of Domus, the magazine that grasped before any other the importance of giving a space also to the expressions of fashion.Ī diorama reconstructs a Wunderkammer, exalting and celebrating the virtuoso and perilous relations between objects of fashion and objects of design. Between the late 1970s and the early 1980s the relationship established by the system of industrial design with experimental fashion was strengthened in Italy. Cinzia Ruggeri is portrayed by Occhiomagico in her studio, where she has recreated "a hypothetical home" with "objects from her domestic memory," including the Ultrafragola mirror, designed by Ettore Sottsass for Poltronova in 1970. ![]() "Camere incantate" (Enchanted Rooms) is the title of a feature that appeared in the May 1983 issue of Domus. ![]()
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